17 Again (2009), Offspring Entertainment
D: Burr Steers
S: Zac Efron, Matthew Perry, Thomas Lennon, Leslie Mann
X-Men Origins: Wolverine (2009), 20th Century Fox
D: Gavin Hood
S: Hugh Jackman, Liev Schreiber, Danny Huston
Zac Efron’s latest film, 17 Again, apart from triggering recalls of images of the actor as a high school basketball star in a recent trilogy of teen musicals, has a very familiar plot. X-Men Origins: Wolverine is also familiar as it follows the fairly recent X-Men trilogy that also featured Hugh Jackman as the mutant Wolverine.
The question posed, therefore, is whether or not either of the films provides anything new. Mike, the protagonist of 17 Again, is played by Zac Efron as a teenager. As a grown-up, he is played by Matthew Perry. The casting of the film was actually a concern of mine (and of a friend too I think) given that I initially did not see much resemblance between Efron and Perry. Much surprisingly, however, I was later able to notice similarities in diction and mannerisms between the two. This can possibly be a credit to Efron’s acting ability.
The premise of 17 Again, for one, closely resembles that of the 1988 film Big, although in reverse. Big showed how youth can triumph over the materialism, competitiveness and selfishness of the grown-up corporate world. 17 Again reverses this as it demonstrates how the experience and hard-earned wisdom of age can solve serious teenage issues. In 17 Again, because of some strange occurrence, Mike somehow grows younger practically in an instant. Perry thus becomes Efron, and, as with Big, Mike’s best friend doesn’t recognize him at first. Mike then goes back to high school as Mark. In one favorable scene in the film, Efron as Mark bravely expresses his stand for abstinence—a position I very rarely see in media today. His character fights for this with such emotional intensity, primarily for the sake of his daughter (Michelle Trachtenberg), that the entire classroom is moved and inspired to follow Mark’s example. Unfortunately, other points in the film sort of negate this. As John Mulderig wrote in his review, the film has important messages but has elements in it that limit who can watch the film.
17 Again, by extension, can also fall under the category of such films as Freaky Friday (1976 and 2003) and Vice Versa (also 1988), although this related set of films involves a switching between a parent and a child. Interestingly, according to IMDb trivia on Vice Versa, 1987-1989 saw the emergence of five films with similar premises, one of them actually titled 18 Again!.
X-Men Origins: Wolverine, meanwhile, also comes from a long, if not longer, line of comic book hero movies. Two recent and very successful films, in particular, make the situation challenging for X-Men Origins: Wolverine.
I personally liked Iron Man (2008) very much, and although I haven’t seen The Dark Knight (2008), a lot of the feedback on it that I received were positive. One could then say that X-Men Origins: Wolverine had a lot to live up to. Now, the character of Wolverine, as my father says, is in itself interesting because of the tension between his animal instincts and his human morality. It would be unfair to say that, after The Dark Knight and Iron Man, every comic book film must then entirely shun and abandon the classic format of the genre, but considering Ebert’s statement, which I must say I agree to, I found X-Men Origins: Wolverine lacking in that its plot didn’t seem to be as solid and as structured. Furthermore, like 17 Again, there are parts of X-Men Origins: Wolverine that I wouldn’t want younger kids to watch.
Mulderig uses the words “unremarkable” and “formulaic” to describe 17 Again, and X-Men Origins: Wolverine was not as interesting as Iron Man was for me. So what therefore is the answer to the question posed? Do they indeed provide anything new? Maybe a little, but more would have been much better.
AUDITIONS for Student Thesis Short Film
We are casting actors for the following roles:
MAIN CHARACTERS:
Tom- troubled, aimless youth in late teens or early 20’s
Harriet- hardworking nurse and family breadwinner in her 30’s
Dr. Ricardo- small-town orthopedist in his 40’s with a moral dilemma
SUPPORTING CHARACTERS:
Tom’s mother- upper-class type in her 50’s
Harriet’s Husband- househusband in his 30’s
Remy- powerful local businessman in his 50’s
MINOR CHARACTERS:
Aling Lena- landlady
Atty. Attico- prosecutor
Jun- Harriet’s 7 year-old son
Nurse 1
EXTRAS:
Nurse 2
Waiter
Taxi Driver
VOICE TALENTS:
3 Boxing Commentators
Radio Announcer
WHEN:
WHERE:
Room A107-A (beside Film department),
UP Diliman
THIS IS FOR A short student thesis film TO BE SHOT mid-February 2009.
If interested, please contact ANNA (0917 4782598) or PATTY (0917 6095141).
Walk-ins are very much welcome.
This is open to pros and non-pros.





Iron Man (2008),
D: Jon Favreau
S: Robert Downey Jr., Terence Howard, Gwyneth Paltrow, Jeff Bridges
Speed Racer (2008), Warner Bros.
D: Andy and Larry Wachowski
S: Emile Hirsch, John Goodman, Christina Ricci, Susan Sarandon, Matthew Fox
It’s that time of the year once again, and the summer blockbusters have already hit the
cinemas. There are a number of films I want to watch this season, a circumstance that is the direct opposite of walking into a multiplex and realizing that there isn’t any movie I want to see.
Two of such blockbusters are Iron Man and Speed Racer. The former, a screen adaptation of a Marvel comic book series which my father thinks was most popular during his childhood and thusly, quite unknown to me and my sisters. The latter, also a screen adaptation, is a tribute to the well-loved Japanese animated series that was dubbed in English, therefore gaining a following in the
The Iron Man movie revolves around the change of heart of billionaire weapons manufacturer Tony Stark, played excellently by Robert Downey Jr. This change occurs due to an unfortunate experience that fortunately transforms the formerly alcoholic swinging bachelor into someone with a noble purpose in life. He is abducted by Afghan militants and is imprisoned in a cave with a fellow prisoner, Dr. Yinsen (Shaun Toub), who saves his life by installing some crude electronic device into his chest.
Speed Racer, on the other hand, centers on how the young hero, yes, Mr. Speed Racer (Emile Hirsch), fights for his principles in a racing industry that has just, in his eyes, changed and turned upside down. The movie chronicles the story of Speed and his family, including the tragic tale of his older brother and idol, Rex (Scott Porter).
Both films have Asian elements, with Speed Racer obviously having its Asian roots evident in the film. Korean pop star Rain plays the racer Taejo, whose father is involved in some fishy race-fixing scheme tied to a company stocks scheme. A funny segment of the film shows Spritle (Paulie Litt) and the chimpanzee Chim Chim (Kenzie and Willy) watching and imagining themselves in an Asian cartoon.
Asians are also represented in Iron Man through, unfortunately, the abductors who torture and hold Stark captive. Interestingly, most of the Asians in both Iron Man and Speed Racer are illustrated as belonging to the dark side, which should be uncomfortable to me as an Asian, until I realize that the “evil” Asians in both films are only “evil” by their association with the Caucasian villains of the films (Jeff Bridges as Obadiah and Roger Allam as Royalton). Thus, while some of the bad guys are indeed Asians, the roots of the evil in both films remain white.
Glenn Kenny wrote in Premiere that Speed Racer contains an “anti-capitalist” theme. This theme plays in how the Racers’ family-run racing team wins over the schemes of big time companies. In one scene, Allam woos Speed and his family, proposing to have them sponsored by Royalton by pretending that, in spite of being such a huge company, Royalton remains “independent” at heart.
Similarly, the Obadiah character in Iron Man may also serve as the anti-capitalist force by having him portrayed as an über-capitalistic man. While Stark is more hands-on in that he actually works and experiments to develop new technology for his company, Obadiah is focused more on the business side of running the company, working towards keeping it as successful and lucrative as it can be, even at the expense of any moral and patriotic considerations they may have.
As for Speed Racer, the physical resemblance of the characters to the cartoon originals is amazing. Who would’ve thought that Hirsch would look so much like Speed? For someone who used to watch the cartoons, this makes the show additionally enjoyable.
I thoroughly enjoyed Iron Man for several reasons, but the thing that I most liked about it was the kind of chemistry that went to on between Stark and Pepper. In an interview with Superhero Hype!, Paltrow explained that Jon Favreau, the film’s director who ”Hitchcocks” himself by appearing as Stark’s chauffeur Hogan, wanted the relationship between Tony and Pepper to be like the ones in ‘40s “screwball comedies.” The interaction between these two characters was reminiscent of Cary Grant or actually, even Bond and Lois Maxwell as Moneypenny. They certainly achieved their aim, and I appreciated it because it was a very sweet and charming way of creating the relationship—sadly a rarity nowadays.
Iron Man isn’t escapist in that it touches on the current conflicts in the
Speed Racer, for me, is a mainly a treat for fans of the original series, mostly from Gen-X if I am not mistaken. I have heard several negative reviews of the film, and it’s sad yet quite understandable. Speed Racer may be suffering from the same thing that Sky Captain and the World of Tomorrow suffered. These two films, I actually enjoyed, but both were not received well. The thing is, I think both films are, first and foremost, tributes. Sky Captain is a tribute to the science fiction of old. What Star Wars fan would not appreciate Jude Law and (again) Paltrow swooping into a docking station à la Han Solo and Princess Leia in
For those who also caught the “Mock 5” episode of Dexter’s Laboratory, which parodied the animation style of the original series, the Speed Racer film becomes more fun because there are sequences where the characters say so many things really fast. When Hirsch did the Speed Racer pose after one race, I squealed with delight like I did when I saw the opening credits of Superman Returns and heard “Can You Read My Mind?” in the score. Aside from the fan treats, the theme of a good man battling it out in a corrupt society and coming out triumphant is also
My reservations on these two films would mostly be on the “not-for-kids” parts which, apart from the fact that I personally do not like them, seem misplaced in films that are billed as family films. As a Marvel movie, Iron Man will attract kids. With the atmosphere that the visual effects designer John Gaeta described to the New York Times as “poptimistic” and the fact that it is based on a cartoon series, Speed Racer will also attract kids. Both films have mature elements (Speed Racer was rated PG-13 by the MTRCB), and I find those as low points and blemishes to otherwise pleasant and fun summer flicks.
And that was Ana Ivanovic's journey through Wimbledon 2007. Because Destiny cable doesn't have Star Sports, I haven't been able to watch any of Ana's Wimbledon games. Tonight's game, however, was crucial for many reasons, so I had to watch it somehow. I settled for Radio Wimbledon and Wimbledon.org's live score updates and PointTracker system. The latter one is, I think, a new technological innovation. You can view computer animated paths of each ball hit in a particular match in real time, if I'm not mistaken. That worked for a while, but then it wasn't available all the time (maybe it's my internet connection or something), so Radio Wimbledon sufficed. I felt like I was in the 1930's. It was fun actually. The commentators were funny, and I could hear audience members screaming support for Ana.
I would like to introduce you all to my new pet finch, Atticus. He's a zebra finch of, most likely, the fawn variety. I made him a little seed pot with my toy pottery wheel, and I intend to use up the rest of my air-dry clay a little bird bath dish. I got him a water tube and a little cuttlefish bone (which he poked viciously this morning), some seeds and a perch. My sister and I also a made him a nest box out of cardboard box card and have tried feeding him tomatoes as diet supplements. At around 6pm everyday, he gets into that nest box and gets ready for bed, at which point he becomes absolutely adorable as he snuggles up into the corner of the box and squishes all his fats and feathers together. He becomes a cute ball of feather with a beak and two tiny black, beady eyes.
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